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Swan Lake


"Real enchantment"
Kenneth Speirs ~ The Mail on Sunday

PRESS RELEASE FROM 2003

Ballet West is to tour throughout Scotland with the company's latest classical production "Swan Lake".

Kenneth Speirs of The Mail on Sunday praised Ballet West's last production by stating "I have honestly not seen such an enjoyable Nutcracker in years". “Swan Lake” will build on the reputation of Ballet West in bringing professional quality, classical ballet to venues throughout Scotland.

Using Tchaikovsky's stirring score and Alexander Bennett's moving adaptation of the original choreography, the young dancers of Ballet West will tell the story of the love of a young man for the cursed Odette, who is destined to spend her life as a swan, unless true love can release her from the spell of the evil Von Rothbart.

The choreographer for this tragic and deeply moving classic is Alexander Bennett. Born in Edinburgh, Mr Bennett achieved international acclaim in the Ballet Rambert and the Royal Ballet. Throughout his years as a principal dancer in both companies he partnered such distinguished ballerinas as Dane Margot Fonteyn and Lynn Seymour.

The double role of Odile / Odette will be performed by Sara-Maria Barton partnered by her brother Jonathan. These principals are Adeline Genée medallists and have performed with companies such as Birmingham Royal Ballet, English National Ballet and Scottish Ballet and were received with critical acclaim for their performances in "The Nutcracker"

"Very Impressive..Catch them if you can!"
Perthshire Advertiser

 

Alexander Bennett, Choreographer

Having worked as a linguist, intelligence officer and insurance clerk, Alexander Bennett had a remarkable change of career when he finished his National Service. Not listening to those who told him it was impossible, he took ballet training and went on to become a principal dancer with the Royal Ballet. What was all the more extraordinary was that he had not danced a single step until he was 17.

Despite his late start, he went on to dance all the major male classical roles, first with Ballet Rambert then with the Royal Ballet’s touring company. His proudest moment was partnering Margot Fonteyn. After retiring from the stage he became a teacher, producer and choreographer for a number of international companies and was working to the last.

Although awaiting surgery for a heart condition, he had recently worked on a new production of Swan Lake for a Scottish Company. “He was supposed to have retired but he just couldn’t give up doing what he loved," says his brother William.

The son of a tram driver, he was born in Edinburgh in 1929. His parents worked hard to put him and his elder brother through the fee-paying Trinity Academy. He took his Highers in German, French and Latin and was a champion of the school's athletics team. He became passionate about dance while watching Fred Astaire films at his local cinema. He took up tap dancing and performed with the Boys’ Brigade but in 1946, he saw a performance by Sadler’s Wells Ballet in Edinburgh and was inspired, at the relatively late age of 17, to switch to ballet. He showed immediate potential and was awarded a scholarship to Marjory Middleton’s Edinburgh Ballet Club He had to fight to defer his National Service for nine months so that he could take up the place.

As a conscript he found himself in the intelligence corps and learning Russian. He took the opportunity to go to the ballet as often as he could before being posted to Germany in 1949.

After demob he was gently dissuaded from pursuing a career in dance by his parents. He returned to Scotland and for six months tried to settle into his new job in insurance but he was unhappy and returned to London to work for the Foreign Office. He was able to use his languages but his soul lay in ballet. He arranged ballet lessons with a teacher who encouraged him to audition for Marie Rambert.

The legendary dame of dance had created Britain’s first ballet company, Ballet Rambert, and nurtured many of Britain’s most important choreographers and dancers. She seemed unimpressed with the handsome and classically proportioned dancer, so it was a surprise when he received a phone call a few weeks later that was to alter the course of his life for ever. A dancer was ill, she explained. Would he consider dancing in her forthcoming production of Giselle?

Although his professional debut was described in lukewarm terms, after 18 months of intensive tuition he was winning praise.

He danced with Ballet Rambert between 1951 and 1956, returning for a year in 1964. In the interim he danced with the Sadler's Wells Theatre Ballet (later the Royal Ballet Touring Company) where, from 1957, he was a principal dancer. In Petipa’s The Sleeping Beauty, he partnered Margot Fonteyn in the Rose Adagio.

He stopped dancing in 1965 and took up ballet master posts with companies in America, South Africa, Iceland and Brazil. He never married and several years ago he moved back to Edinburgh to be near his brother. He bought a small house, supposedly for retirement, but ballet was his life and he continued to work.

The day he died he had been working on a new version of Swan Lake, commissioned by Ballet West, a Scottish youth dance company. His production of The Nutcracker for the company last year was well received.

Gillian Barton, the school's founder and principal, says "Alex had just had two of the happiest days of his life working on the new version of the ballet. He was awaiting a bypass operation and had been feeling quite low but this had given him a new lease of life. The day he died we'd had breakfast and had planned out his next five years with the company”.

His final work premiered in Stirling on May 16th 2003

Alexander Bennett,
Born Edinburgh, July 27,1929
Died Argyll, February 15th 2003, aged 73
Reproduced by kind permission of The Daily Express

 

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